A book on a shelf at the university bookstore in Lund was the start of a research career for Karin Widerberg, Professor of Sociology at the University of Oslo.
Eye, space and body – these are three key words that apply not only to the work of art historian Anne Wichstrøm on female artists from 1850 to 1900, but also to her own life.
The number of women who study music and who make their mark on the Norwegian musical scene have increased the recent years. But the recruitment of women is lopsided. Women choose classical music, not jazz. In this article Trine Annfelt discusses jazz as a hegemonic masculine discourse and argues that this can contribute to explaining the distribution by gender and sexuality.